Coming Full Circle and the Art of Non-Compromise

Back in 2006, I walked into my supervisor’s office at a major NYC University and I gave a generous 4 weeks’ notice. I had just been offered my 2nd promotion (and a raise), had a retirement plan, a decent salary, plenty of paid vacation and had earned the respect of my colleagues. I had a comfortable job. I worked hard. As a trained counselor with strong admin skills, disability services was a rewarding path for me. What happened? Two things:

  1. I was bitten by the professional dancer bug.
  2. They restructured our department and moved us out of our offices and into cubicles. Yeah….CUBICLES! My colleague and I referred to it as the “glass case of emotion” — (cool points if you get the reference).

9Mkzg_s-200x150.gif

No way was I going to do a soul-crushing commute to sit in a cubicle and dream about being a full-time dancer. I was a diligent student who did whatever gigs came my way but I wanted more and I was ready to follow my passion without regret. Suddenly I had photoshoots, a web site, business cards and a cell phone that was always within reach. I had an agency pumping more gigs my way than I knew what to do with and I secured some regular restaurant jobs. I was busy and it was exciting.

As years went by, I found myself wanting to be more creative than the typical gig called for. I joined dance companies, choreographed some pieces for theatrical shows and scratched the itch as I went along. Now, my need for creativity and non-sparkly dance outlets has only grown stronger. I still enjoy the typical “gig” but only because I do about 1/4 to 1/2 of what I used to do.

Returning to a day job on a part-time basis has given me the freedom to cherry pick the dance jobs that I accept. Since dance is no longer my sole source of income, I can spend more time feeling like an artist or diving into my love of folklore. It’s afforded me the ability to be non-compromising. If a client doesn’t appear to respect what I do, or if the job seems like more hassle than it’s worth, I don’t take it. So now the jobs I do are, for the most part, really fulfilling.

I realize my future will see even more “day job” work and fewer gigs, but I suspect this will be a very rich time in my dance life. The irony isn’t lost on me. I left a full-time job to earn my living as a dancer. After a while, the full-time dance life left very little time to actually enjoy dance. And now, what sustains me is the fact that I am able to choose dance. We’re best friends, but no longer co-dependent. I’m more in love with every movement as a result. I show up to my gigs excited to be there. My relationship with dance is on my terms now and I had to come full circle to reach this place.

_MG_0046

Shimmyathon, 2016, Peter Paradise Photography

If you’re considering a drastic life change to allow more space for dance, just go into it with eyes wide open. It’s a great thing to experience and teaches you a lot of about running a small business, managing client expectations, pushing through physical limits, dealing with the ebb and flow of fluctuating finances and a heck of a lot more. If you want more time to dance for YOU, out of pure love for the culture and the music, you just might want to remain a hobbyist.

The dance hobbyist has the best of both worlds. You can have all the sparkly and adventure…with a 401K on the side.

*****************************************************

Tava is a highly regarded professional bellydancer, instructor, choreographer and author of the best-selling book, “Little Book of Big Advice: Enlightening Ideas for Bellydance Professionals.” She performs regularly throughout the NYC Metro Area and the tri-state area. Equally at home performing at galas, family occasions, cultural events, theaters or in music videos, she prides herself on having a career with as much variety as possible.

In addition to the “sparkly bits” of her life, Tava has a Masters in Counseling from Fordham University and uses the dance as a tool for building self-esteem and healthy body image for women.

An Artist’s Legacy

With the recent passing of two musical icons who really nailed it in the legacy department, social media is flooded with their previously unknown exhales of art that will be around for at least another generation or more. Whether it be vaults of unreleased music, inspiring stories of artistic integrity or heartfelt letters from people across the globe confessing how Prince or Bowie’s music got them through the roughest of times, it’s all got me thinking. Those of us who will never reach such levels of fame or notoriety, are we hoping to leave a lasting mark on our art? Am I?

The truth is, I don’t think so. The longer I dance the less I care about receiving recognition for it. My dance goals are in the here and now. I seek ways to grow and challenge myself and, while I am tremendously grateful that I get to inspire my students and maybe some audiences, my dance is not so innovative. I am one part of a long lineage that connects an ancient dance to the present. Sure, I use movement to transcend problems, to express what words can’t, to tap into something far more special than taxes or weekly trips to Stop & Shop, but I don’t feel disappointed to think my story ends with me. prince

I’m deeply moved by the body of work these two musicians created. They are examples of people who became famous in spite of themselves, on their own terms, who maintained control of their artistry throughout their careers. I’ve been moved to tears listening to Prince’s latest album and re-discovering Bowie’s  Lady Grinning Soul; dancing to both with a newfound appreciation. I can imagine how satisfying it is to know that your art lives on without you and I would be honored to learn this were possible for me but… it isn’t. And that’s ok. bowie-1152551

Prince and Bowie’s passing has renewed and strengthened my desire to have integrity in my work. Heck, did you see the letter Prince wrote to Suzanne Vega? It’s beautiful both in its words and penmanship/design. Thriving creativity doesn’t take a nap when it’s time to write letters. Artists who don’t phone it in, can inspire in so many ways beyond the talents they’re celebrated for. (Note to self: Write more sincere letters that people feel compelled to keep for years to come).

Both Prince and Bowie harnessed their creativity and paired it with a diligent work ethic. Learning about how they lived and made music has been like a little slap on my wrist reminding me that life is short and it’s time to dance all the dance I can. I heard a story on NPR about a jazz musician (sorry I forgot his name) who got a visit from a friend’s little girl near the end of his life. The little girl asked if he was dying and he said, “Yeah, but it’s been a great gig.” That’s what I want to feel at the end of the line…more than anything.

Tava_Montreal_2015_2

Photo by Ale Vega (Oriental Dance Pictures)

________________________________________________________________

Tava is a professional bellydancer, instructor, choreographer and author based in NYC and CT. She is available to perform at family occasions, cultural events, theatrical performances, galas or media appearances. Tava’s weekly bellydance classes are in Fairfield County, CT with a range of workshop topics offered in various locations in the U.S. To learn more, visit: BellydancebyTava.com

Live With Art: It’s Good For You

Art is about crossing boundaries, building community AND boosting the local economy. Prospective residents are attracted to areas based on their public gardens, art galleries, music scene and other avenues for creativity and culture. So, why aren’t the arts thriving across the U.S. when all signs point to its significance?
LiveWithArt1-1
Some of the variables mentioned were time, cost, access and resistance to going alone. Well, there isn’t much artists can do about most of those things, but we still need to keep touting its’ value. We need to remind the public about the benefits of dance, music, visual art, architecture and creativity in their lives.
Since I left NYC 10 years ago and became a bigger fish in a smaller pond, I’ve worked tirelessly to instill the value of cultural dance in my community (and beyond). I began to produce events where people could see what we do and be entertained or inspired to join us. Without sponsors or much in the way of a budget, I’ve financed cultural dance events since 2002 with the hopes of breaking even. My goal was to create an experience similar to what I had in New York City — here in my own town.
Fortunately, there are many people who get it and consciously create space in their lives for art. In 2010, when the economy was pretty much toast, audiences at art events provided $74.1 billion of valuable revenue for local merchants and their communities. I suppose the million dollar question is how do we reach people who consider art to be an “optional” perk to explore when time allows? How do we override the other variables listed above?
Hey, if kale can surge in popularity because of it’s benefits, art can too. It’s a much easier sell. Here’s why:
1. Participating in the arts increases well-being as measured by life evaluation, emotional health, work environment, physical health, healthy behaviors. https://www.arts.gov/art-works/2012/hidden-benefits-participating-arts
2. If you’re interested in art, turns out you may be more altruistic, tolerant and racially tolerant. Doesn’t that sound nice? http://news.uic.edu/interest-in-arts-predicts-social-responsibility-study

3. It’s good for the local economy. “Arts and culture contribute to local andregional economies, generating jobs and spending, attracting tourists, and making places attractive to businesses and their employees.” https://www.giarts.org/sites/default/files/public-benefits-value-of-arts-culture.pdf

4. Dance, specifically, improves cognitive functioning and pours awesome sauce on your brain.
5. Cultural dance “serves multiple functions (e.g., traditional/ceremonial practices, celebrations, healing, spirituality, cultural transmission, and social connectedness).” http://www.healthevidence.org/view-article.aspx?a=15502
Tava_Assaya_eyes_down

Michael Baxter Photography (Do not use without permission)

In short, support the arts as best you can. Look for low-cost ways to involve yourself. You deserve it. Your community deserves it too.

**********************************************************************************

Tava is a professional bellydancer, instructor and author in NYC and CT.  She performs regularly for all family friendly events, galas, weddings and corporate events. Tava also performs in creative/theatrical endeavors and enjoys her balance of commercial and artistic fulfillment.  To learn more about classes in Fairfield County, CT or to inquire about hosting Tava for a workshop, please visit: BellydancebyTava.com

Bellydancers and the Chair: The Four-Legged Elephant in the Room

If you’re a bellydancer who has done even a handful of professional performances, chances are you’ve encountered, “the chair.” This four-legged elephant in the room can be the embodiment of an antiquated stereotype. When a male guest of honor is seated directly in front of a female dancer while she performs, it can feel a little “harem girl/seduce the sultan/oriental fantasy-ish,” with shades of lap dance. Personally, I don’t have a problem with empowered women making their living from erotic dance, but I do think we need be to be careful not to blur those lines. A dance rooted in culture that’s a physical expression of celebration has a very different intention. Early in my career, when I danced in front of “the chair,” I saw lots of confused faces when I didn’t dance lasciviously for the  seated male. Fortunately, I’ve gotten better about changing the expectation by having more thorough pre-gig conversations (where I specifically request no chair in the middle of the room) and a bit of on the spot strategy for those times when an audience member decides it needs to be there.

downloadThe vast majority of the time, people are well meaning and have no intention of offending a performer.  In fact, sometimes it’s the women who get the chair out for the guy. But, I find it interesting that the chair never comes out when the guest of honor is a woman (at least, not in my experience). Perhaps there is some inherent understanding that women celebrating birthdays don’t need to be in the “personal space” of the dancer. The dancer’s role is to bring joy to a party and create a memorable experience; not to titillate. The dancer is there to get people up to dance after a certain amount of time showcasing her skill; not to embarrass anyone.

Sometimes the chair comes out and I don’t feel it’s the right thing to stop my show and educate people on why I don’t like it, so I make the best of it. I introduce humor. I’ll put the sheath of my sword on the guest of honor’s head or engage in something that will give the audience a chuckle. I can count on one hand how many times I have been blatantly objectified (it rarely happens), but when it does, there is a chair involved.

EmptyChairThis is what I say to clients when they decide to go forward with hiring me for a show; namely for a birthday party when the guest of honor is male:

“Now that we’ve discussed all of the performance details I just want to mention one other thing. Sometimes a well-meaning audience member gets a chair for the ‘birthday boy’ to sit on and places it in front of me. This actually makes me a bit uncomfortable. I’ve worked hard to represent this dance in the most professional way and that’s just something people associate with lap dances.”

In 100% of cases where I’ve brought this up, the person hiring me thanks me for bringing it up and appreciates the request. That being said, sometimes, we’ve got to roll with the punches and listen to our own “spidey sense.” If the people are down to earth and I feel respected, I may let it slide. If there is any doubt in my mind or I’m being looked at in a way that doesn’t jive with my intentions, I’ll ignore that chair and look for a child to dance with. . . or a spunky grandparent.

My advice is to follow your instincts. Don’t perform in a way that makes you feel uncomfortable. If you enjoy dancing for the chair, hey, great. I’m not here to impose my opinion on anyone. But we should all understand that in the age of event photos going on Snapchat, YouTube, Instagram, Twitter, FB and any other social media du jour, consider what messages a performance sends to people who don’t have the context of seeing your entire show.

We shouldn’t vilify women who dance for the purpose of arousal, but if that’s not what we are doing, we have to make sure the public knows that.

Tava’s Book: “Little Book of Big Advice: Enlightening Ideas for Bellydance Professionals”

Tava’s new book “Little Book of Big Advice: Enlightening Ideas for Bellydance Professionals” is available on Amazon.com.

Little Book of Big Advice: Enlightening Ideas for Bellydance Professionals

Little Book of Big Advice: Enlightening Ideas for Bellydance Professionals

Little Book of Big Advice: Enlightening Ideas for Bellydance Professionals is an essential read for dancers who may be considering a transformation from hobbyist to professional. Tava Naiyin, author and highly-accomplished bellydancer in NYC and CT, writes candidly about her experiences as an artist who has relied exclusively on dance-generated income for 10+ years. After receiving countless questions from budding dance professionals across the U.S., she compiled her answers and wrote this book to address what she perceived as possible gaps in training. This book cannot take the place of a mentor, however, it aims to promote industry standards and help bellydance artists determine if they have the right skills and circumstances to turn their passion into a career.

Readers can expect information about costume purchasing and care, performance etiquette, general do’s and don’ts, how to get the most out of practice, staying inspired, juggling art vs. commerce and more. Ms. Naiyin’s bellydance colleagues and mentors weigh in to share their thoughts and resources on topics ranging from: how to find your own dance voice, keeping the dance flame lit and effective marketing strategies. Readers can expect inspiring and practical tidbits from top bellydancers Andrea (NY), Angelica Jordan (Quebec), Maria (CA), Riskallah Riyad (CT), Sira (NY) and Zaina (Globetrotter). Anyone who is considering a career in dance or the performing arts will come away with useful information to help them make informed choices and avoid costly mistakes. To learn more about Tava, visit BellydancebyTava.com

What people are saying about Tava’s book:

Whether you have a burgeoning curiosity about belly dance as an art form, or are already a seasoned student ready to take the next step, this book is a must! Tava’s advice and insights come only from years of studying, training, performing and evolving as a dancer and as an artist in general.

Tava does not preach from a pen and ink pulpit; She is with you through this book, sharing her own experiences, “aha! moments”, mistakes, stumbles and triumphs as a dancer, artist, teacher and mentor. Her writing style is inviting and smooth, and this book is hard to put down once you start reading! She includes anecdotes and input from her mentors, peers, and students. Her love for this dance and her unyielding devotion to keeping this dance elevated and held to high standards is readily evident. Once you finish reading, you will understand what a gift this is to the world of belly dance!- Christine R.

An insightful book from the artist’s perspective. This book is not just about dance. It’s about passion, perception and practicality. Valuable advice in this age of “do what you love.” Anyone considering doing so would gain important insight into balancing one’s art and inspiration with the realities of life.

The interviews convey the deep respect these women share for the culture and dance they represent and the accompanying photos are beautiful. Bellydance is lucky to have such passionate and articulate advocates. – Mary

Drawing Inspiration from Other Artists – My Brunch with AnnaLisa Ewald

Nine years ago, I made a huge life change and left my home in NYC. It was a huge risk and I wondered if “the burbs” could satisfy my need for an artistic life.  I wasn’t sure if I would stick out like a sore thumb or settle into a community. My husband and I bit the bullet and moved into a building that had enough character to make the transition easier. The brick walls and loft space reminded us of Brooklyn and we occasionally heard a neighbor playing guitar, drumming, or blasting decent music (ahh such comforts)!

AnnaLisa Ewald

AnnaLisa Ewald

One such neighbor was classical guitar guru AnnaLisa Ewald. We would wave and exchange knowing nods at each other in the parking lot heading to gigs – she carrying a guitar case and looking very elegant – me with heavier makeup and lots of glitter.  Over time, our conversations became deeper, we attended each others performances, and a mutual respect was born. Today’s brunch, much like our last brunch, included a lot of heavy nodding and phrases like “Yes, I deal with that too!” Two artists who deal with issues of art vs. commerce, who have to figure out the extent to which we’re willing to compromise, and have an inherent need to stay inspired…at all costs. It is always validating and the exchange of ideas lights up my brain. It is very satisfying to pick my head up out of the bellydance world where I live 99.9% of the time and look at things from a broader perspective. I cannot do this on my own because I rely on this immersion into my dance world.

AnnaLisa is the real deal. She is one of those genuine artists who has the ideal balance of knowledge, integrity, and skill. Listening to her talk about ancient music and the maple neck of her new guitar; it is clear she is not going to be content playing pop songs. Like me, she drives far and wide to perform at weddings and prestigious shows – but she will drive even farther to collaborate and learn from the artists she admires.

Tava performing a baladi at Drom (NYC)

Tava performing a baladi at Drom (NYC)

Sometimes it is hard to introduce an art form that has deep cultural roots and loads of history to a population that isn’t familiar with it. Cultivating opportunities to share an artistic passion in this area is a way of planting seeds and growing a student base, nurturing a love of art and enriching the community – but it takes persistent hard work. And sometimes, the hard work seems extra hard. Seeking the company of other artists is always worth it and I think it’s just as important as physical cross training. These brunches feed me in more ways than one and I’m grateful for them. To learn more about AnnaLisa, visit her website: http://annalisaewald.com/ *******************************************************

Tava is a professional bellydancer in NYC and CT.  She performs regularly for all family friendly events, galas, weddings and corporate events.  Tava also performs in creative/theatrical endeavors and enjoys her balance of commercial and artistic fulfillment.  To learn more about classes in Fairfield County, CT or to inquire about hosting Tava for a workshop, please visit: BellydancebyTava.com

More Dancing and Less Tearing Each Other Down

This post is a reaction to conversations I hear almost every day, to comments I’ve read on YouTube links and posts on Facebook.  Somewhere a woman is tearing apart another woman for reasons related to appearance. Oftentimes the women are strangers with nothing but visual presentation to go on– so they pick each other apart for their weight, their hair, their “enhancements,” or their supposed need for enhancements. Several years ago, I had to remove a photo I had posted of a guest dancer from one of my events because a total stranger called her a “skinny bitch.”   All this woman saw was a reminder of her own insecurity about her weight because – let’s face it – nobody who feels healthy and balanced criticizes a stranger for looking incredible in two-piece bedlah. This is the sort of thing that reminds me how lucky I am to have a community of students that value a supportive environment. It reminds me of the intrinsic value of dancing with a non-competitive group.

195bmfvu242scjpgRecently, a student approached me to say, “Thank you for giving all of us a place to feel safe and to celebrate each other’s accomplishments.”  It was incredibly sweet but it also got me thinking about how hard we are on our fellow women and how fundamentally unnecessary that is.  Just this morning I listened to Senator Barbara Boxer’s speech on DHS funding and I was shocked to see the amount of comments about her hair.  This woman just delivered a kick-ass speech with conviction and resolve, but, many people saw value in discussing her appearance. *facepalm*

To be honest, I am pretty fed up with this. I understand that groups of women find comfort and a certain degree of bonding while engaging in a bit of gossip but when it reaches levels of hostility, we have to really think about what good this does.  I realize it is impractical and impossible to be friends with everybody. I am not keen on that enormous purple dinosaur who suggested that we’re all a great big family, but, I do think we could all ease up on the cutting words we have for people we don’t even know.  Perhaps there will always be jealousy, insecurity, fear and far too much value placed on impossible standards of beauty. What’s a gal to do? Well, the only answer I have is this: dance!

Dancing won’t solve the world’s problems but it will put you in touch with a group of women and suddenly you’ll find yourself cheering for someone when they’ve mastered a movement.  You will be surrounded with hugs if you return to class after missing a few weeks.  You will probably leave a studio feeling better about yourself than you did when you arrived.  It takes time and it takes a willingness to get out of your comfort zone and commit to something larger than yourself.  No, dance cannot prevent hatred but if it lifts a group of women to feel camaraderie, in spite of their differences, that is a giant step in the right direction.  10613030_295965897256468_4089405148976983521_nBefore anyone jumps in to say I’m being overly harsh or decides to educate me on where the blame truly lies, just remember this is a blog post of my thoughts. I’m not conducting a research study ( I have spent many years devoted to research studies in the past so I know how labor-intensive they are ).  Of course, I cannot speak for every dance form or every dance class. I’m really just asking if we can stop being so hard on each other?

PS: Don’t just take my word for it:

Arts & Health, Vol. 2, No. 2, September 2010, 149–163.

Shall we dance? An exploration of the perceived benefits of dancing on well-being

Am J Public Health. 2010 February; 100(2): 254–263.

The Connection Between Art, Healing, and Public Health: A Review of the Current Literature

*********************************************************************

Tava is a professional bellydancer in NYC and CT.  She performs regularly for all family friendly events, galas, weddings and corporate events.  Tava also performs in creative/theatrical endeavors and enjoys her balance of commercial and artistic fulfillment.  To learn more about classes in Fairfield County, CT or to inquire about hosting Tava for a workshop, please visit: BellydancebyTava.com

cropped-tave-1b.jpg

Photo of Tava by Adrian Buckmaster    (Do not copy without permission)

Those Unavoidable Curveballs. . .

One thing we can always count on is that life has an endless supply of curve balls to toss our way whenever it sees fit.  I’m not talking about huge life-altering curve balls that require major changes, hours of meditation and psychological adjustments — just the garden variety “Oh man…I did not see that coming.”  The very nature of our work involves dancing through unknown variables and making the best of it.  Maybe there are balloon ribbons getting stuck in your lipstick because they’re dangling too low from the ceiling (true story), or you fashion a skirt out of a tablecloth because you left your real skirt at home.  One consolation prize is that these curve balls generally make for good stories down the road.  But, sometimes, they just make for good ol’ life lessons.

Tava bellydancer performing at a birthday party

That party with balloon strings in my mouth.

1. Shoveling Blues.

When Yowalka and Alanah invited me to be a part of their event at JeBon, I was thrilled that they asked me to perform with my fan.  I even treated myself to a new one that was lace-trimmed. I decided to incorporate some of Dalia Carella‘s fan technique so I hopped into NYC and had a brilliant private lesson with her.  I settled on Scheherezade L’Andalous as my song and I was feeling the love — ready to dance.  But then, it snowed.  And it snowed some more.  I had to shovel in order to free my poor little car from the snow/ice cocoon that the plowing had caused.  I shoveled a pathway for my little dog to walk.  The next day, there was excruciating pain in my wrist.  After a trip to the orthopedist, it was determined that I had a pretty bad sprain.  He gave me some mega meds and told me I could get through the show to but keep my brace on and be very careful.

Sprained wrist - next the bandage will at least be dipped in glitter ;)

If there is a next time, the bandage will at least be dipped in glitter 😉

As the sweet taqsim ended and the song picked up intensity, I snapped the fan open and  did a little twirl to test the waters.  I think my whimper was in the same key as the violin so I’m assuming nobody heard.  I couldn’t twirl very well and I even put the fan down half-way through the song.  But I decided to give extra love to the movements I could do and I enjoyed spinning, making shapes/lines and breathing through the pauses.  Hey, I did my best and I made some decent lemonade out of those wrist-pain lemons.

2. Get a Grip!

I recently choreographed a slinky sword duet for my student and I that we would perform at my friend Joy’s event.  I was excited to dance at this venue and although I should have known better, I forgot to inquire about the surface we would be dancing on.  My husband is a production manager whose job it is to leave no stone unturned and he would shake his head in his hands at my oversight. A minute into our performance, the carpet was gripping me like it was madly in love with my pants. Where things were meant to be slinky, they were…uh…rug burn-y.  But, of course, we hoped the audience was none the wiser.

When you feel a show going south, it’s important to remember that the audience has a totally different expectation.  They cannot be disappointed that your choreography isn’t quite working because they never saw what it should be.  Don’t let your face show defeat.  I’m an improv gal so it’s rare that I perform choreography and this is part of the reason why. I don’t want to be thrown when I’m rolling with the punches.  But it was a good exercise in not losing our cool.  Kia, my student who performed with me, did a great job and was thoroughly “christened” by her first dance curve ball.

In the spirit of total transparency, here is video of both performance.  Please be kind – now that you know the back story 🙂

****************************************************************************************************

Tava is a professional bellydancer, choreographer, lecturer and performer based in NYC and CT.  She teaches weekly classes, specialty workshops and offers elegant, family friendly performances throughout the tri-state area.  To learn more about Tava, visit www.BellydancebyTava.com

Part II of Unraveling the Journey of a Bellydancer (featuring Tava)

I’m delighted to be featured in Part II of Tunnel Vision Company‘s Project “Unraveling the Journey of a Bellydancer.”  I’m glad to have been given a platform to express my goals – both as a teacher and performer.  In the U.S., we tend to hear about all of the violence and political upheaval in the regions where our dance has its’ roots and it benefits all of us to develop an appreciation for the music and the movements that bring it to life.

10561823_512315388868506_6246751802319921067_n

It is my pleasure to share this dance in Connecticut (and NY) and I am hopeful that our community will continue to shed stereotypes and find more venues that support our art.  It’s too beautiful to be dismissed.  Bellydance is clearly here to stay.  Please enjoy and share your thoughts!

*****************************************************************************************

To learn more about Tava and bellydance classes in CT, visit www.BellydancebyTava.com

I Love When Bellydancers are Smart Cookies – Bellydance by Jennifer Interviews Moi!

Recently, Jennifer (Bellydancer in Orlando) contacted me about doing an interview for an extensive research project she was about to begin.  One thing I love to do is to geek out and talk all things bellydance with fellow dancers so, of course I agreed.  Jennifer asked me to give some thought to the issue of standard movement vocabulary as well as other business issues that career bellydancers face.  When the day came, we set up our laptops and connected via Skype.  There was giggling, there was some repositioning in order to demonstrate movements, and there was a lot of honesty.

When bellydancers are smart cookies, it helps our community overall.  Jennifer is one of those gals who combats lingering stereotypes by showing off her business acumen and hunger for knowledge.  I was honored to help her kick off a series of interviews so check out:

Bellydance Terminology & Business Series: Interview 1- Tava!

Like it, pin it, share it.  Stay tuned to Jennifer’s blog to learn more.

Jennifer (Bellydancer in Orlando)

Jennifer (Bellydancer in Orlando)

photo of Tava (Bellydancer in NY & CT) by Adam Jason photography

photo of Tava (Bellydancer in NY & CT) by Adam Jason photography